Showing posts with label David Sanborn. Show all posts
Showing posts with label David Sanborn. Show all posts

Sunday, January 23, 2011

David Sanborn: Songs From the Night Before (1996)

David Sanborn's distinctive alto is all over this set, caressing the melodies and playing short soulful solos in typical fashion. Joined by an electronic quartet that features prominent work by Ricky Peterson on keyboards (including bass and drum programming), plus a horn section, Sanborn gives humanity and honest feeling to what could have been an anonymous effort. In addition to the many originals, the influential altoist plays tasteful versions of Wayne Shorter's "Infant Eyes" and Eddie Harris' catchy "Listen Here." ~ Scott Yanow, All Music Guide
Tracklist:
1. Relativity 04:56
2. D.S.P. 05:00
3. Rikke 04:03
4. Listen Here 03:29
5. Spooky 03:58
6. Missing You 04:53
7. Rumpelstiltskin 04:16
8. Infant Eyes 03:30
9. Southern Exposure 04:36
Songs From the Night Before
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Wednesday, January 12, 2011

David Sanborn: Pearls (1995)

David Sanborn is joined on this CD by an orchestra arranged by Johnny Mandel for a set of music dominated by melodic versions of standards. Sanborn does not get all that far away from the themes (which include "Try a Little Tenderness," "Smoke Gets in Your Eyes," "For All We Know," "This Masquerade" and a very emotional "Everything Must Change" in addition to a few newer songs) but his sound is so soulful and full of passion that he does not really need to improvise much to make his point. It's a fine change of pace for the highly influential altoist. ~ Scott Yanow, All Music Guide
Tracklist:
01. Willow Weep For Me
02. Try a Little Tenderness
03. Smoke Gets In Your Eyes
04. Pearls
05. For All We Know
06. Come Rain or Come Shine
07. This Masquerade
08. Everything Must Change
09. Superstar
10. Nobody Does It Better
Personnel:
David Sanborn - alto saxophone
Oleta Adams - vocals, keyboards
Little Jimmy Scott- vocals
Don Grolnick - keyboards
Kenny Barron - keyboards
Christian McBride - acoustic bass
Marcus Miller - bass guitar
Mark Egan - fretless bass
Steve Gadd - drums
Don Alias - percussion
Pearls
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Saturday, January 1, 2011

David Sanborn: Another hand (1991)

This is a definite departure for Sanborn as he goes outside to bring us "Another Hand". Looking at who he's playing with it's very obvious why he has taken the step over into Free Jazz, Bill Frisell and Charlie Haden. Haden was the bassist for the king of Free Jazz and fellow sax player, Ornate Coleman. Coleman could go so far outside that it would hurt. These outside tunes might be a little difficult for even jazz lovers to tolerate, but Sanborn only touches upon it leaving this album very easy to listen to.
The Frisell/Haden combo starts you off easy with Haden's "First Song" and Frisell's signature sound on guitar. Then comes Frisell's turn for one of his songs with "Monica Jane". Haden has a small bass solo in the middle. Lou Reed's "Jesus" is the surprise of this unique combo's reprituer as it stays pretty much inside, which must be the setup for jumping straight on over into Free Jazz with the medley bringing back memories of Coleman. Don't let these songs scare you, the first three from the combo are very well done, and easy on the ear. Plus, for every song he plays with Frisell and Haden, he plays one without them. "Weird from One Step Beyond" (Frisell appears here too) is a beautiful, soulful jazz tune. Sanborn's sax is dripping with emotion as he blows those beautiful notes. Another beautiful song is "Come to Me, Nina." Sanborn mirrors Terry Adams on the piano with great results. Sanborn kicks it in with "Hobbies", which is upbeat and flashy. There's a solo from one of my favorite pianists, Mulgrew Miller. Miller hangs out for "Dukes & Counts", another great tune.
This is one of those albums where an artist wants to step outside his confines and try a little something new. I have to applaud Sanborn for taking the risk, especially to try Free Jazz. Although I'm not a fan of Free Jazz, I still find this a great album. I'm not a big fan of the medley, but the rest of the album makes up for it. Sanborn sure can blow, and proves it on this album. He also surrounds himself with exceptional musicians. For more of Frisell and Haden, check them out with Ginger Baker on "Going Home", and for more Miller with Brian Lynch on "Tribute to the Trumpet Masters", both are excellent. 
Tracklist:
01. First Song 05:23
02. Monica Jane 05:32
03. Come To Me, Nina 05:29
04. Hobbies 04:59
05. Another Hand 06:44
06. Jesus 03:35
07. Weird From One Step Beyond 06:14
08. CEE 02:26
09. The Medley: Prayers For Charlie From The Devil At Four O'clock 12:22
10. Dukes & Counts 05:30
Personnel: David Sanborn (saxophones); Syd Straw (vocals); Lenny Pickett (tenor saxophone); Art Baron (trombone); Terry Adams, Mulgrew Miller (piano); Dave Tronzo (acoustic guitar); Bill Frisell, Marc Ribot, Al Anderson (guitars); Greg Cohen, Marcus Miller, Charlie Haden (bass); Joey Baron, Jack DeJohnette (drums); Don Alias (percussion)
Another Hand
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Monday, December 27, 2010

Marcus Miller: Another Side of Me (2006)

This is a Japan produced special with tracks of various collaborations between Marcus and other top artists like Lalah Hathaway, Macy Gray, Chaka Kahn and Eric Clapton. However there are also Marcus own main efforts (with his band) like his interpretation of Come Together (John Lennon, Paul Mc Cartney), and his own songs Power and Black...
Tracklist:
01. Brazilian Rhyme (featuring Lalah Hathaway) [05:03]
02. Takin' It to the Streets (Take 6) [04:10]
03. Girls and Boys (featuring Macy Gray) [05:38]
04. Boomerang (featuring Raphael Saadiq) [05:48]
05. Come Together [05:33]
06. Rush Over (featuring Meshell Ndegeocello) [05:21]
07. Power [04:38]
08. It's Me Again (featuring Djavan) [06:05]
09. Snakes (David Sanborn) [07:06]
10. Your Amazing Grace (featuring Chaka Khan) [07:43]
11. Silver Rain (featuring Eric Clapton) [06:09]
12. Black [04:03]
Selection of-Marcus Miller (Another Side of Me)
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Saturday, November 27, 2010

David Sanborn: As We Speak (1982)

It was about this time in his career that one sensed David Sanborn was getting a bit tired of the formula he was using on his records. However, his great popularity kept him from changing direction much. As usual, the highly influential altoist blows his heart out over a lot of funky rhythms on As We Speak, but surprisingly, he switches to his less notable soprano on four of the nine tunes. Bassist Marcus Miller is a key force in the background, leading the expanded rhythm sections through some pop-oriented material that is appealing but not too substantial. ~ Scott Yanow
Tracklist:
01. Port Of Call 04:28
02. Better Believe It 03:31
03. Rush Hour 04:43
04. Over And Over 04:12
05. Back Again 03:52
06. As We Speak 04:17
07. Straight To The Heart 03:26
08. Rain On Christmas 04:47
09. Love Will Come Some Day 06:17
Personnel: David Sanborn (soprano & alto saxophones); Michael Sembello (vocals, guitar); Bill Evans (saxophone); Robert A. Martin (French horn); Bob Mintzer (bass clarinet); Spike (IRT strings, synthesizer); James "Sugar Bear" Skelton (Hammond B-3 organ); George Duke (Clavinet); Don Freeman (keyboards, synthesizer); Marcus Miller (synthesizer, bass); Lance Ong (synthesizer); Buzz Feiten (guitar); Omar Hakim (drums, tambourine); Malando Gassama, Paulinho Da Costa (percussion); Cruz Baca Sembello (background vocals).
As We Speak
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Wednesday, October 27, 2010

David Sanborn: Promise Me The Moon (1977)

David Sanborn's third album as a leader has him steering away from the N.Y.C. neo-bop, skunk funk, Seventh Avenue style he helped co-found with the Brecker Brothers band. That it is recorded in Miami speaks volumes about the sunny attitude and less jazz-oriented music he is fomenting. Guitarist/vocalist Hiram Bullock and emerging electric bass guitar star Mark Egan have something to do with this, but the extraordinary drummer Victor Lewis is the one who gives this music an R&B heft while also adding Latin flavors, like boogaloo on growth hormones. Keyboardist Rosalinda DeLeon, percussionist Jumma Santos, and four female vocalists help with the sexy Afro-Caribbean underpinning, while Sanborn plays his trusty St. Louis soul vibrato-drenched alto sax, and also experiments with sopranino sax and the lyricon. The album yields mixed results -- including some spectacular, fervent music, with the tamer sounds more likely to appeal to crossover or pop audiences. Clearly James Taylor is an influence on this music, as his guitarist Danny Kortchmar contributes tunes like the forgettable pop-funk of the title track with Bullock's vocals; "Stranger's Arms," where Sanborn painfully takes a shot at singing; and the band's not bad, slow, loping, Latin-tinged instrumental version of Taylor's "Benjamin." Bullock's two compositions are "We Fool Ourselves," reverting to the chunky, funky street-smart samba beat with Sanborn's rambling alto, though the singing is not helpful, and "The Rev," a slowed soul song more suited to the R&B aspect of the combo's demeanor. Then to the good stuff, as Egan's "Heart Lake" is a road song with Sanborn's sopranino paving the way via Egan's ostinato line after a spacy free intro. DeLeon's "Morning Salsa" is early tropicalia at its best, a fun tune that moves along briskly, but makes you wonder why the keyboardist was never heard from after this date -- maybe just a fling? Then there's "The Legend of Cheops," a stunning piece penned by Lewis that also showed up in the repertoire of Woody Shaw during the drummer's tenure with the trumpeter. Here it's charged with electricity from the wafting keyboardist and punchy, hip bassist, as Sanborn's swirling sopranino provides all the dynamism and depth he is capable of, while also negotiating some tricky key and time changes -- a memorable track for sure. While not as much a breakthrough as the two previous albums, Taking Off and Sanborn, Promise Me the Moon laid the groundwork for Sanborn to become a successful commercial money-maker and reliable production musician or soloist instead of the creative -- and at times innovative -- player hinted at in many instances here during the turning point of his career. ~ Michael G. Nastos, All Music Guide
Tracklist:
1. Promise Me the Moon Kortchmar 04:01
2. Benjamin Taylor 01:33
3. Stranger's Arms Kortchmar 04:21
4. Heart Lake Egan 05:21
5. The Rev. Bullock 03:56
6. We Fool Ourselves Bullock 05:14
7. Morning Salsa Bushler, de Leon, DeLeon 06:06
8. The Legend of Cheops Lewis 06:36
Personnel:
Bass - Mark Egan
Drums - Victor Lewis
Guitar - Hiram Bullock
Keyboards - Rosalinda De Leon*
Percussion - Jumma Santos
Saxophone [Alto, Sopranino], Lyricon - David Sanborn
Vocals [Guest Artists] - Christine Faith , Hamish Stuart , Kat McCord* , Lani Groves
Promise Me the Moon
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Tuesday, October 26, 2010

Joe Beck & David Sanborn (1975)

This cool Fusion classic was recorded in 1975 and features players which are stalwarts of the genre such as : Joe Beck (Guitar), David Sanborn (Alto Sax), Don Grolnick (Keyboards), Steve Khan (Guitar), Chris Parker (Drums) and Ray Mantilla (Percussion). Also included are two bonus tracks : 'Ain't it Good' and 'Spoon's Theme'. (Amazon)
Popular, crossover smash session linking two instrumental pop stars for a 1975 album. Beck played in a slick, light style, while Sanborn, although restrained, would occasionally slip in a hot blues lick or a fluid alto solo. It has been reissued on CD. (AMG)
Tracklist:
01. Star Fire 04:34
02. Cactus 04:58
03. Texas Ann 07:56
04. Red Eye 07:14
05. Cafe Black Rose 04:26
06. Brothers And Others 06:27
07. Ain't It Good 07:31
08. Spoon's Theme 06:56
Beck & Sanborn
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Tuesday, October 5, 2010

Poogie Bell: Poogie on Shuffle (2009)

This cd is for the real Poogie Bell fans and music fans all over the world! The musicains here are some of the best in world. Only 100 copies of this CD were made!
Personnel: Roberta Flack, David Sanborn, Kenny Garrett, Wallace Roney, Gerald Albright, Ron Cater, Marcus Miller, Maceo Parker, Poogie Bell, Hiram Bullock, Dean Brown, Patches Stewart, Vincent Henry, Bruce Flowers, Bobby Sparks, Keith Anderson, Rashard Barnes, Chris Parker, Dwayne Dolphin, Jeremy Mcdonald, Casey Benjamin, Josh Rosemen, Tony Depaolis, Gene Stovale, Sonji Woodward, Chris Hemingway, Andre Smith, Asa Livingston.
Playing and singing everything from funk, jazz, rock, R&b. Poogie on Shuffle is just what it means!
Tracklist:
01. Miss Alice 4:05
02. Brother J 4:47
03. Love Vibe 4:39
04. Sunshine 3:16
05. Sara Knows All 4:48
06. Joburgh 4:31
07. So! ?3:57
08. Kendras Blues 5:57
09. Forte Green 5:40
10. Brazillian Thing 4:47
11. Yaki Soba 5:59
Poogie On Shuffle
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Thursday, September 16, 2010

Bob James & David Sanborn: Double Vision (1986)

David Sanborn's saxophone complements Bob James' keyboards perfectly on the appropriately titled DOUBLE VISION. Sanborn, James, and bassist Marcus Miller all contribute compositions, and the listener encounters a wonderful variety of musical styles throughout the album's seven tracks. DOUBLE VISION opens on its highest note with Miller's "Maputo," a lush and moody song that highlights Sanborn's skills and sets the pace for the rest of the recording.
Miller also penned the romantic "More than Friends". James and Sanborn join compositional forces on "Moon Tune" and "Never Enough." Sanborn contributes the popular "It's You," a tune that features James prominently. "Maputo" may be the DOUBLE VISION's instrumental highlight, but Al Jarreau's vocal on "Since I Fell for You" is the album's romantic peak. This 1986 collaboration ranks top among contemporary jazz albums.
Tracklist
01. Maputo
02. More Than Friends
03. Moon Tune
04. Since I Fell For You
05. It's You
06. Never Enough
07. You Don't Know Me
Personnel
Bob James - keyboards
David Sanborn - alto saxophone
Al Jarreau - vocal on track 4
Paul Milton Jackson, Jr. - guitar
Paulinho Da Costa - percussion
Marcus Miller - bass
Steve Gadd - drums
Eric Gale - guitar
Double Vision
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