Showing posts with label Steve Gadd. Show all posts
Showing posts with label Steve Gadd. Show all posts

Wednesday, January 12, 2011

David Sanborn: Pearls (1995)

David Sanborn is joined on this CD by an orchestra arranged by Johnny Mandel for a set of music dominated by melodic versions of standards. Sanborn does not get all that far away from the themes (which include "Try a Little Tenderness," "Smoke Gets in Your Eyes," "For All We Know," "This Masquerade" and a very emotional "Everything Must Change" in addition to a few newer songs) but his sound is so soulful and full of passion that he does not really need to improvise much to make his point. It's a fine change of pace for the highly influential altoist. ~ Scott Yanow, All Music Guide
Tracklist:
01. Willow Weep For Me
02. Try a Little Tenderness
03. Smoke Gets In Your Eyes
04. Pearls
05. For All We Know
06. Come Rain or Come Shine
07. This Masquerade
08. Everything Must Change
09. Superstar
10. Nobody Does It Better
Personnel:
David Sanborn - alto saxophone
Oleta Adams - vocals, keyboards
Little Jimmy Scott- vocals
Don Grolnick - keyboards
Kenny Barron - keyboards
Christian McBride - acoustic bass
Marcus Miller - bass guitar
Mark Egan - fretless bass
Steve Gadd - drums
Don Alias - percussion
Pearls
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Thursday, November 25, 2010

Didier Lockwood: Storyboard (1996)

Be prepared for something very exciting - "Storyboard" is a unique journey in Lockwood's penchant for fusion, free-jazz, ethnic and classical music. Finding musicians who master the same styles to its full, was probably a difficult exercise for the production team for "Storyteller". The choice of musicians was a bold choice, but not a surprising one. Didier Lockwood violin virtuosity has been undisputed since '70's, Joey DeFrancesco's dexterity on the Hammond B-3 organ (and trumpet) is widely known even within the fusion world through his collaborations with John McLaughlin & The Free Spirits, drummer Steve Gadd is perhaps the most versatile musician on the planet, James Genus are very familiar in nearly the majority of settings, both on acoustic bass and electric bass guitar, and if that was not enough, saxophonist Steve Wilson from Chick Corea's Origin is the disc's guest musician on both alto and soprano sax. The variety in styles of music through some obscure compositions and Lockwood self-penned melody options, makes this 71-minute CD is a listening experience of rare quality.
French cafe music tradition is a fundamental element of "Tableu d'une Composition", the beautiful ballad "Mathilde" conduct Lockwood / DeFranceso with elegant organ accompany behind string improvisations, "Storyboard" solo violin introduction recalls the "cold Nordic sound" before the fast hill-billy rhythms takes over and encouragement for dancing lessons are evident. Joey DeFrancesco is heard more often on the trumpet on several albums, and thank our Lord for that, because it sounds right nice on "Spirits Of The Forest" in interaction with the oriental-inspired free jazz playing from Lockwood, with his left hand firmly anchored on the upper manual on the B-3 organ for coloring with a "Larry Young" sound. On "Back to the Big Apple," a straight ahead post-bop tunes, we are experiencing hard swinging violin and alto saxophone in creative interaction. Hard to pick the best tune on this album since they are all great, but one highlight is "Serie B"; a moving slow tune where Lockwood uses the electric violin synthesizer sounds with great innovation. All the tunes on the album have its own story to tell through the five brilliant musicians in the ensemble. The recording sound and quality is excellent with an airy openness like we have on many ECM recordings, which is perfect balancing the the violin sound. Certainly the right accessible entry album to explore the music world of Didier Lockwood. My Lockwood journey has started with this great album. -- Terje Biringvad
Tracklist
1. Thought of a First Spring Day
2. Back to the Big Apple
3. En Quittant Kidonk
4. Mathilde
5. Tableau d’Une Exposition
6. “Series B”
7. Storyboard
8. Irremediablement
9. Spirits of the Forest
Storyboard
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Thursday, September 16, 2010

Bob James & David Sanborn: Double Vision (1986)

David Sanborn's saxophone complements Bob James' keyboards perfectly on the appropriately titled DOUBLE VISION. Sanborn, James, and bassist Marcus Miller all contribute compositions, and the listener encounters a wonderful variety of musical styles throughout the album's seven tracks. DOUBLE VISION opens on its highest note with Miller's "Maputo," a lush and moody song that highlights Sanborn's skills and sets the pace for the rest of the recording.
Miller also penned the romantic "More than Friends". James and Sanborn join compositional forces on "Moon Tune" and "Never Enough." Sanborn contributes the popular "It's You," a tune that features James prominently. "Maputo" may be the DOUBLE VISION's instrumental highlight, but Al Jarreau's vocal on "Since I Fell for You" is the album's romantic peak. This 1986 collaboration ranks top among contemporary jazz albums.
Tracklist
01. Maputo
02. More Than Friends
03. Moon Tune
04. Since I Fell For You
05. It's You
06. Never Enough
07. You Don't Know Me
Personnel
Bob James - keyboards
David Sanborn - alto saxophone
Al Jarreau - vocal on track 4
Paul Milton Jackson, Jr. - guitar
Paulinho Da Costa - percussion
Marcus Miller - bass
Steve Gadd - drums
Eric Gale - guitar
Double Vision
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